Friday, February 28, 2003
File-sharing advocates often imagine a middleman-free utopia where artists interact directly with fans, but how many fans really want to go through the trouble of buying music one track, one album, or even one artist at a time? Whoever wrote this is a computer illiterate nincompoop. Software is brilliant at bringing together all the files you want (and the files you didnt know you wanted) into one place; that is why Napster was so popular. NO ONE buys or downloads "...one track, one album, or even one artist at a time". That is a straw man argument. I smell a shill. Digital distribution is about abundance, efficiency, and convenience; it needs middlemen like Hugh Hefner needs more Viagra. Some of these middlemen, such as Kazaa, are greedy vultures who make millions off artists without paying them a cent. WTF? Kazaa is not a middleman, it is an aggregator allowing people who are sharing files to contact each other directly. It does not host files itself, in exactly the same way that Napster never hosted a single MP3 file. Once again, this person is completely ignorant about how the internet works and in particular, how distributed file sharing works. Others, like Pressplay.com and Rhapsody, at least license the music they make available. Bingo! This biatch is a shill for the RIAA. Kazzaa and all other file sharing services do not make music available for download they only create lists of what people have on thier hard drives, in the same way that google lists what is on the hard drives of web servers. Home taping is killing music? Ignorant RIAA shills are killing the internet more like! All offer services to fans that individual artists will never be able to match. This is simply a lie. Any individual artist can post her files in one of many places, and then allow the search engines to pick up the pages. They can also put thier files on the file sharing networks. They can also group together under umbrlla organizaitons to concentrate the number of hits they get, and maximize their PR efficiency. What is for certain is that no amount of ignorant shill-words will stop this evolution from taking place. Thus, musicians who successfully use the internet to generate revenues directly from fans will be exceedingly rare, just as writers who do the same already are. The only looser in thie equation is the monopoly "middle man". If you knew what you were talking about, you would realize that it is only the small minority of artists who get paid anything under the current system, and the remuneration proposals of the Monopoly, like paying the artists $0.0023 per download, will not make even mega acts like Madonna any signifigant money. There will always be very huge "winners" and people who hardly make anything at all. At least under the new system of free music, there is no brain dead, tone deaf A&R drone who decides what gets released and what does not. This is the fundamental difference that will change everything. For every internet success story like that of blogger Andrew Sullivan, who recently raised around $80,000 from his readers via a pledge week on his site, there are hundreds of thousands of independent content creators who make nothing. For every artist like Coldplay there are hundreds of thousands of acts that will never be signed by the monopoly because the Monopoly doesnt actually care about music. The small number that do get deals, will never make a penny out of what they sell, even if they sell as many as 250,000 "units". Do your homework! The "war" with the music biz is not a war at all. Even if it were, it should be cast as a liberation struggle. Since you did not do this, we can only assume that you are a bought and paid spokesliar for the Monopoly. Missing from your piece of propaganda were any mention of links to free music philosophy and business model sites, putting across other arguments, or any links to the truth about how poorly artists arre treated under the current slave labor system. Thankfully, no one is listening to these and the other lies trotted out by the propaganda division of the RIAA, and the genie is out of the bottle. File sharing is here to stay, is impossible to shut down, and is exposing people more and more into interesting, non Monopoly music daily. Just who is "G. Beato" anyway? Google cached your pages and let me find your blog Beato. Search engines are useful are they not? In the fall of 1995, I created my first webzine, Traffic. At the time, I was working as a marketing writer at a software company, incredible; how can someone with no imagination as to what software can do write marketing for a software company??? but my work at Traffic led to a few paying magazine assignments, and by January 1997, I quit my day job to become a full-time freelance writer. So, the free webzine you created allowed you to quit your job and write full time on a freelance basis. This is different to releasing music online and expecting the same benefits exactly how? I'm currently a contributing editor at SPIN and a regular contributor to the Washington Post's Book World section. I've also written for Blender, Business 2.0, Inside, Wired, Forbes ASAP, Mother Jones, Newsday, Salon, Feed, Request, The Face, the London Guardian, the International Herald Tribune, SF Weekly, and the San Francisco Chronicle, amongst others. I was also a frequent contributor to the pioneer webzine, Suck.com: from 1996 to 2000, I wrote approximately 100 pieces for it. ??? how is it that such a completely misinformed article could come from someone who has written for Wired??? Most hilariously, at the end of the blog page, he says: "Support Soundbitten If you like what you read here, please consider making a donation." What incredible hypocricy. People putting their music online can be likened to human shields flying to Iraq to protect Saddam, but a journalist putting his words online for free and asking for donations is somehow COMPLETELY DIFFERENT and OK. This blog also has other contributors writing for it, much like several artists getting together to share music on a single site to spread the load. Didnt I just say that?!? For Editors See an article here that you'd like to reprint? Want to assign me something? Please contact me at email@example.com. Music maker says "Want to use our music in a movie or TV commercial? contact us!!!" Doh! For Publicists Have a book, CD, DVD, or something else you'd like me to consider for review or other coverage? Please contact me at firstname.lastname@example.org. "Send me free stuff!" Thats the last straw! My lord, that was an easy bit of destruction. And fun! http://www.soundbitten.com/about.html
D _ _ V D
Posted by captain davros at 2/28/2003 03:53:00 pm
So, imagine this: You're driving down the road, chatting at a party, or whatever. You have a phone. You call your blog on the phone. You leave a message. The message gets instantly posted to your blog as an MP3 file for the world to listen to. Cool? Do it now.
U.S. Diplomat's Letter of ResignationThe following is the text of John Brady Kiesling's letter of resignation to Secretary of State Colin L. Powell. Mr. Kiesling is a career diplomat who has served in United States embassies from Tel Aviv to Casablanca to Yerevan. Dear Mr. Secretary: I am writing you to submit my resignation from the Foreign Service of the United States and from my position as Political Counselor in U.S. Embassy Athens, effective March 7. I do so with a heavy heart. The baggage of my upbringing included a felt obligation to give something back to my country. Service as a U.S. diplomat was a dream job. I was paid to understand foreign languages and cultures, to seek out diplomats, politicians, scholars and journalists, and to persuade them that U.S. interests and theirs fundamentally coincided. My faith in my country and its values was the most powerful weapon in my diplomatic arsenal. It is inevitable that during twenty years with the State Department I would become more sophisticated and cynical about the narrow and selfish bureaucratic motives that sometimes shaped our policies. Human nature is what it is, and I was rewarded and promoted for understanding human nature. But until this Administration it had been possible to believe that by upholding the policies of my president I was also upholding the interests of the American people and the world. I believe it no longer. The policies we are now asked to advance are incompatible not only with American values but also with American interests. Our fervent pursuit of war with Iraq is driving us to squander the international legitimacy that has been America�s most potent weapon of both offense and defense since the days of Woodrow Wilson. We have begun to dismantle the largest and most effective web of international relationships the world has ever known. Our current course will bring instability and danger, not security. The sacrifice of global interests to domestic politics and to bureaucratic self-interest is nothing new, and it is certainly not a uniquely American problem. Still, we have not seen such systematic distortion of intelligence, such systematic manipulation of American opinion, since the war in Vietnam. The September 11 tragedy left us stronger than before, rallying around us a vast international coalition to cooperate for the first time in a systematic way against the threat of terrorism. But rather than take credit for those successes and build on them, this Administration has chosen to make terrorism a domestic political tool, enlisting a scattered and largely defeated Al Qaeda as its bureaucratic ally. We spread disproportionate terror and confusion in the public mind, arbitrarily linking the unrelated problems of terrorism and Iraq. The result, and perhaps the motive, is to justify a vast misallocation of shrinking public wealth to the military and to weaken the safeguards that protect American citizens from the heavy hand of government. September 11 did not do as much damage to the fabric of American society as we seem determined to so to ourselves. Is the Russia of the late Romanovs really our model, a selfish, superstitious empire thrashing toward self-destruction in the name of a doomed status quo? We should ask ourselves why we have failed to persuade more of the world that a war with Iraq is necessary. We have over the past two years done too much to assert to our world partners that narrow and mercenary U.S. interests override the cherished values of our partners. Even where our aims were not in question, our consistency is at issue. The model of Afghanistan is little comfort to allies wondering on what basis we plan to rebuild the Middle East, and in whose image and interests. Have we indeed become blind, as Russia is blind in Chechnya, as Israel is blind in the Occupied Territories, to our own advice, that overwhelming military power is not the answer to terrorism? After the shambles of post-war Iraq joins the shambles in Grozny and Ramallah, it will be a brave foreigner who forms ranks with Micronesia to follow where we lead. We have a coalition still, a good one. The loyalty of many of our friends is impressive, a tribute to American moral capital built up over a century. But our closest allies are persuaded less that war is justified than that it would be perilous to allow the U.S. to drift into complete solipsism. Loyalty should be reciprocal. Why does our President condone the swaggering and contemptuous approach to our friends and allies this Administration is fostering, including among its most senior officials. Has �oderint dum metuant� really become our motto? I urge you to listen to America�s friends around the world. Even here in Greece, purported hotbed of European anti-Americanism, we have more and closer friends than the American newspaper reader can possibly imagine. Even when they complain about American arrogance, Greeks know that the world is a difficult and dangerous place, and they want a strong international system, with the U.S. and EU in close partnership. When our friends are afraid of us rather than for us, it is time to worry. And now they are afraid. Who will tell them convincingly that the United States is as it was, a beacon of liberty, security, and justice for the planet? Mr. Secretary, I have enormous respect for your character and ability. You have preserved more international credibility for us than our policy deserves, and salvaged something positive from the excesses of an ideological and self-serving Administration. But your loyalty to the President goes too far. We are straining beyond its limits an international system we built with such toil and treasure, a web of laws, treaties, organizations, and shared values that sets limits on our foes far more effectively than it ever constrained America�s ability to defend its interests. I am resigning because I have tried and failed to reconcile my conscience with my ability to represent the current U.S. Administration. I have confidence that our democratic process is ultimately self-correcting, and hope that in a small way I can contribute from outside to shaping policies that better serve the security and prosperity of the American people and the world we share. New York Times
Amnesty tartan. Measles cases soar The most important discovery of the last 50 years? State-sponsored ethnic cleansing. 'The British do the diplomacy, and the Americans write the cheques' Reminds me of a favourite Canadian song. I do the rolling, you do the detail Can we arm our troops with these please?
Another couple of triplets: Collateral damage limitation (might have been done already) Condaleeza rice pudding seem to be having a problem with post&publish in Moz in windows. When I goto post I get a popup asking for ftp login details but not on any other browser/OS
Thursday, February 27, 2003
Akin, this is from the Konono N�1 site: "The first album by Konono N�1 is currently being recorded by Vincent Kenis (definitely the right person for the job: he is a great connoisseur of Congolese music, he has produced albums by Zap Mama, Taraf de Ha�douks & Ko�ani Orkestar, and has also been playing a key part in the sonic design of many albums of electronic music on Crammed/SSR)."
Ive been spending some time on Linux lately and finding it great fun. I've configured the kernel for a few things like my soundcard and compatability for vfat/ntfs partitions. When I compile it all seems to be ok (make dep, make bzImage, etc) but when I type: locate bzImage cp bzImage /boot/vmlinuz (after backing up my old kernel) it returns an error of cp: can not stat bzImage: no such file or directory I'm intrigued..... Another triplet: nasal congestion charge
I saw the M25/London Orbital film when they showed it on Channel 4 in November. Stroke of luck seeing it really as I haven't watched TV for at least 9 months (no longer own one) and I was at my sisters. They must have driven round and round it for days filming and the stories linked to the M25 that unfolded throughout were fascinating. In the parts where they were on the road they split the screen and had different camera angles running. The feeling was that I was in the car with the film maker and almost nauseous from the mundanity and repetition of the road. I remember when they were building it. I was living near the junction with the A10 and went out one sunday on my bike and rode over to Waltham Abbey. I stood for a time looking at the huge groove they had cut into the countryside before finding a way down on to it and riding about where cars now zoom past at 70mph. That's the only time I've ever been on it and not been a passenger. Triplet: emotionally raw data
Top 11 Unusual Source Code Comments 11. /* This part doesn't really do any thing yet. It's just here in case we need it */ 10. //** This should never execute **// 9. # This is the second of three impossible errors 8. /* Emergency fix to fix emergency Turkey Day Fix */ 7. # Insert meaningful comments here 6. /* I didn't write this code */ 5. # This code was hard to write. It should be hard to understand also 4. /* Break out the Ragu. The following is spaghetti code */ 3. /* Quiet!!! This is orthogonal code */ 2. /* Ryan don't comment code! */ 1. /* Optimize THIS, code boy! */ http://www.networkcomputing.com/l
Konono = cool. Diversity from adversity. Reminded me of ZGA, whom I saw last year and who were pretty amazing - three players; trombone, "drums" made entirely of metal, and an assortment of piezo-ised springs being played with sticks and combs and bows. Clearly a Coldplay killer if ever I heard such a thing. More ZGA links http://www.insound.com/zinestand/sndcollector/feature.cfm?aid=9126 http://www.sparc.spb.su/Avz/ZGA/
Posted by captain davros at 2/27/2003 05:42:00 pm
What did everyone think of that truely cool® konono link? When I saw the pictures I was surprrised and then when the sound started I was pleasantly surprised. Their gear looks dangerous; they could probably sell custom amplification gear to every electric head in Europe for a premium. I wonder who they are getting to mix the stuff, and what plans they have to get these dudes to collaborate with other people....the Cogolese, the Zairois have been making cool stuff for ages, but this, for me, takes the cake!
yeah i thought of it as a venn diagram thing too, but that seemed overly compex and easily breakable. Take Krautrock or Afro Futurism, these genres encompass completely different partent Genres, taking from westernised rock and african folk music. Now if these influences were on different sides of the diagram the circle for the genre would either be a really weird shape, accidently overlap another genre or be erroneously big (size should indicate the popularity or influence of a genre). See the problem? With a nuclear/network/molecular style diagram where each point is joined by a line, this confusion is reduced somewhat. Although not completely. There may be a way to show both types of diagram though, from the same data. Do you reckon it's worth doing?
Posted by alex_tea at 2/27/2003 05:26:00 pm
Genres are more like an infinitely complex smear of Venn Diagrams. Circles in circles in circles, overlapping other circles. Each genre is a circle, each dot is a band. It would be fun to try and code up a website for that kinda thing. Something like OS-AMG.
Thank you davros... I'll look it up... There was also that guy who did those family tree things in the 70s and 80s. I had a Niravana one on my wall when I was about 12 I seem to remember. But then that's a bit different. I don't know if I ever will get round to doing this. It's just one of those ideas I get that seems really good at first and then just gets far too complicated, or I just get lazy. Like the electronic music gig guide I was going to do about 2 or 3 years ago and never got round to doing it. Still working it out now actually... Hmm...
Posted by alex_tea at 2/27/2003 03:10:00 pm
Mr Tea I think there used to be an artist called Wigan who did big rambling genre type maps in clubs in the early 90's. I remember reading about him in iD, but I can't find anything about him on the net. That's not to say you shouldn't do that incidentally . Just a reference.
Posted by captain davros at 2/27/2003 02:38:00 pm
By passing the current through this region, located on the left-hand side of the brain, the girl could be made to laugh uncontrollably - even when there was nothing funnier going on than a group of men standing around in white coats.That sounds a bit mean. Like torture or something. Pleasure Torture. Involuntry Happiness. Brand America I've been thinking of making some sort of ever changing music genre diagram, where you can add genres, link them to existing genres and add bands to genres. The more bands / sub genres a genre contains, the bigger it appears on the diagram. Thing is, is genre hierarchal? Even if it is not all links are hierarchal, some are siblings, not children. So it's getting more and more complex the more I think about it. Also there doesn't seem to be any need for this, it's just a bit silly. I was just getting really into the sometimes stupid genres people invent. I read an article somewhere, maybe in a blog, about musical genre, and why people get upset about it and stuff... Anyway... What would be in the centre? I was thinking there are maybe three or four main genres, but then these are erroneous, but lets start with something really really basic and generic. I guess at a very base level you could split it up geographcially, Western and Eastern music. Or, it could be Rock, Classical and World music. Rock and Classical are both western, and World music is Eastern music? Non Western music? Hmm. This is confusing. Where does Folk music fit in? Because you get all sorts of folk music, folk is more to do with the idea of a people's music, rather than a particular sound. I think this whole idea has become a lot more complex than I first imagined.
Posted by alex_tea at 2/27/2003 02:16:00 pm
Aye, yes you do have to build it, which may be a minus factor if you don't feel like it. However, it is cheap because of that, which is a plus. No, I haven't built one. But I did build THE SEDUCER!!!, and am currently rebuilding my studio. I got my 19" gear in (including one of these) and made a really amateurish patchbay last Saturday to connect it all. I've got ever firming plans for an LP but can't decide how to release it. I'm sort of thinking of a free download since it's mostly M03s, with the option to send me a CD to burn if you haven't got a PC. The CD version would have a nice sleeve and an alternative mix. It'll all be one long continuous mix. Only problem at the moment is that in an attempt to back up stuff I deleted a ton of stuff from my music PC via a parallel cable link from my main PC, and guess what, I never actuallybacked up previously. Incidentally I got the Knoppix disc yesterday from the Linux Emporium, along with a free Debian distro. This is the nicest Linux I've tried yet, and if you're curious and have a PIII or so PC you should try it!
Posted by captain davros at 2/27/2003 02:07:00 pm
So I have to build the thing? Have you done this?
Posted by Mess Noone at 2/27/2003 11:12:00 am
Hundreds of thousands of antiwar activists flooded Senate phone lines yesterday as part of a "Virtual March" on Washington aimed at heading off a U.S. invasion of Iraq. Protesters called and faxed senators in an innovative action, billed as a way to influence policy "without leaving your living room." Senators enlisted extra staffers to answer calls and to tally the number of constituents registering their opinions.[...] Washington Post ahem.
Wednesday, February 26, 2003
Mikkel: OH GOD PEOPLE ARE SO STUPID IT MAKES MY BRAIN HURT Mikkel: FUCKING GODDAMNIT HELL Mikkel: JESUS LORD MOTHERFUCKER Mikkel: CHRIST BARBECUE Mikkel: http://www.thecrimson.com/article.aspx?ref=274155 Mikkel: ALSO Mikkel: PEOPLE = STUPID Jared: yes. * Jared puts a gold star next to Mikkel's name. Mikkel: seriously Jared: I know. Jared: I hate people. Jared: harvey, go for the best. Mikkel: if I built a snow penis and a feminist was offended and tore it down, I dont think I would ever be able to eat solid food again, due to my jaw exploding from laughter Jared: did this happen to you? Mikkel: no its in that article Jared: ah. I had better click. Mikkel: hence my jaw not having exploded (yet) Mikkel: but I will definitely be building snow penises whenever I get the chance Jared: what the fuck is this: It was gendered violence Mikkel: I'm assuming someone called her a bitch Mikkel: at least thats my guess Mikkel: I probably wouldve Jared: This is why I am never going back to America! Jared: She said the snow penis follows a long line of public phallic symbols, including the Washington Monument and missiles. Mikkel: hehe Mikkel: YEAH MONUMENTS AND PENISES Jared: Missiles! Mikkel: what about the fucking pyramids, huh? BOOBIES! Mikkel: I feel seriously repressed now Mikkel: oppressed Mikkel: haha Mikkel: dohg Jared: fucking americans. Mikkel: She will never get a boyfriend, and I'm glad for him. (Jared is American)
------------------------------------------------------------------------ You have received this message from the "FIPR Alert" mailing list run by the Foundation for Information Policy Research http://www.fipr.org/ ------------------------------------------------------------------------ Astonishing to hear a report on Radio 4's Today programme this morning sounding the death knell for the entire classical music industry because one recording of a Maria Callas performance is about to come out of copyright. An EMI spokesman intones "how can we be expected to invest in the classics of tomorrow if we can't get returns on that investment"... Thanks to Simon Kelley for spotting this. I've appended his complaint to Today below. It's 19.5 minutes into clip 6 (you can press Ctrl+T in RealPlayer to skip through the previous 5 clips): http://www.bbc.co.uk/radio4/today/today_live.rpm Subject: 26/02/03 report on European Copyright. Date: Wed, 26 Feb 2003 10:18:28 +0000 From: Simon Kelley
Your report on European Copyright today was totally one-sided.
Anybody listening who had no background in this area would have thought
that the arrangements in the USA were uncontroversial and the shorter
copyright time in the EU was just some sort of bizzare legal oversight.
In fact until a few years ago copyright duration in the States was as
short and the bill to extend it was hugely controversial and has just
undergone a challenge in the Supreme Court.
The report used Industry spokespeople/lobbyists with no critical cross
examination and they were allowed to use double-speak like "protecting
European music" when they meant "protecting media companies" without any
The basis of copyright is that the copyright holder is given a monopoly
on distribution of the copyright work _for_a_limited_time_ in return for
the investment required to make the work in the first place. Once that
limited time protection has expired, the legal prohibition on
duplicating the work is removed from third parties. Nobody is stealing
from EMI: they won't be lifting boxes of CDs from warehouses in the
middle of the night; it is simply that EMI's state-enforced monopoly
For a handle on the campaign against copyrights and IP everywhere, on
everything, and for all time start at www.eff.org
Frankly, this report sounded like a lazy journalist being exploited by
industry PR people. You need to do something much better, and preferably
not by your "North America Business Propagandist".
Dr Simon Kelley.
stopsleeping The Project for a New American Century (PNAC) is a neo-conservative think-tank that seeks US world domination through military conquest of what it calls "the new American frontier." PNAC's membership includes people such as Elliot Abrams, who lied to Congress about Nicaragua and denied massacres by US-trained forces in El Salvador; Dick Cheney, who voted against releasing Nelson Mandela from prison; Donald Rumsfeld, who advocates the "no evidence required" approach to international relations; Paul Wolfowitz, who has spoken of "ending states"; and William Kristol, former Chief of Staff for Dan Quayle. June 3, 1997 American foreign and defense policy is adrift. Conservatives have criticized the incoherent policies of the Clinton Administration. They have also resisted isolationist impulses from within their own ranks. But conservatives have not confidently advanced a strategic vision of America's role in the world. They have not set forth guiding principles for American foreign policy. They have allowed differences over tactics to obscure potential agreement on strategic objectives. And they have not fought for a defense budget that would maintain American security and advance American interests in the new century. We aim to change this. We aim to make the case and rally support for American global leadership. As the 20th century draws to a close, the United States stands as the world's preeminent power. Having led the West to victory in the Cold War, America faces an opportunity and a challenge: Does the United States have the vision to build upon the achievements of past decades? Does the United States have the resolve to shape a new century favorable to American principles and interests? We are in danger of squandering the opportunity and failing the challenge. We are living off the capital -- both the military investments and the foreign policy achievements -- built up by past administrations. Cuts in foreign affairs and defense spending, inattention to the tools of statecraft, and inconstant leadership are making it increasingly difficult to sustain American influence around the world. And the promise of short-term commercial benefits threatens to override strategic considerations. As a consequence, we are jeopardizing the nation's ability to meet present threats and to deal with potentially greater challenges that lie ahead. We seem to have forgotten the essential elements of the Reagan Administration's success: a military that is strong and ready to meet both present and future challenges; a foreign policy that boldly and purposefully promotes American principles abroad; and national leadership that accepts the United States' global responsibilities. Of course, the United States must be prudent in how it exercises its power. But we cannot safely avoid the responsibilities of global leadership or the costs that are associated with its exercise. America has a vital role in maintaining peace and security in Europe, Asia, and the Middle East. If we shirk our responsibilities, we invite challenges to our fundamental interests. The history of the 20th century should have taught us that it is important to shape circumstances before crises emerge, and to meet threats before they become dire. The history of this century should have taught us to embrace the cause of American leadership. Our aim is to remind Americans of these lessons and to draw their consequences for today. Here are four consequences: � we need to increase defense spending significantly if we are to carry out our global responsibilities today and modernize our armed forces for the future; � we need to strengthen our ties to democratic allies and to challenge regimes hostile to our interests and values; � we need to promote the cause of political and economic freedom abroad; � we need to accept responsibility for America's unique role in preserving and extending an international order friendly to our security, our prosperity, and our principles. Such a Reaganite policy of military strength and moral clarity may not be fashionable today. But it is necessary if the United States is to build on the successes of this past century and to ensure our security and our greatness in the next. Elliott Abrams Gary Bauer William J. Bennett Jeb Bush Dick Cheney Eliot A. Cohen Midge Decter Paula Dobriansky Steve Forbes Aaron Friedberg Francis Fukuyama Frank Gaffney Fred C. Ikle Donald Kagan Zalmay Khalilzad I. Lewis Libby Norman Podhoretz Dan Quayle Peter W. Rodman Stephen P. Rosen Henry S. Rowen Donald Rumsfeld Vin Weber George Weigel Paul Wolfowitz Fascism is commonly defined as an open terror-based dictatorship which is: Reactionary: makes policy based upon current circumstances rather than creating policies to prevent problems; piles lies and misnomers on top of more lies until the truth becomes indistinguishable, revised or forgotten. Chauvinistic: Two or more tiered legal systems, varying rights based upon superficial characteristics such as race, creed and origin. Imperialist elements of finance capital: Extending a nation's authority by territorial acquisition or by the establishment of economic and political domination of one state over its allies. Though a dictatorship is the most common association with fascism, a democracy or republic can also be fascist.
Tuesday, February 25, 2003
To call Savage Pencil a parasite is to say something that is simply not correct, and if he IS a parasite, he is akin to the bacteria that lives in bovine stomachs that helps them to digest thier food. In other words, essential to your LIFE!
If he is essential to my life, let me die tomorrow. If I survive, I'm selling all my fucking records and buying a banjo.
If he is essential to my life, let me die tomorrow. If I survive, I'm selling all my fucking records and buying a banjo.
Posted by Mess Noone at 2/25/2003 10:16:00 pm
Q: What does Bad Vugum mean?
A: It's an expression that we borrowed from Captain Beefheart. You can find it from the track "Sue Egypt" from the album "Doc At The Radar Station" -a marvellous piece of art by the way. Olli Pauke from Liimanarina - completely weird noise band on Bad Vugum - told us that the name sounds like a Bulgarian bath town...
A: It's an expression that we borrowed from Captain Beefheart. You can find it from the track "Sue Egypt" from the album "Doc At The Radar Station" -a marvellous piece of art by the way. Olli Pauke from Liimanarina - completely weird noise band on Bad Vugum - told us that the name sounds like a Bulgarian bath town...
By 'peripheral artist', I guess I just meant parasite. I have to question the need for 'critics', in writing, illustration, whatever. Surely a potent substitute for criticism is actually CREATING SOMETHING that will warm the hearts of your fellow humans and convince them, even momentarily, that their souls are not alone on this planet. Professional contrarian, eternally in opposition, impotent, useless, infertile. Nothing could be closer to death. It is far better that we have people doing good work from the first instance, instead of constantly reacting to the bad work of others; criticism saves us from having to be constantly reacting, wasting our precious and very limited time. To call Savage Pencil a parasite is to say something that is simply not correct, and if he IS a parasite, he is akin to the bacteria that lives in bovine stomachs that helps them to digest thier food. In other words, essential to your LIFE!
I hear you too, Mess. Sometimes "critics" can convince one that one's soul is not alone though too - in a world of Coldplay I feel better when anyone offers any reaction to them that isn't the weird, stunned fawning that they seem to get so much of these days. I put critics in double-quotes there since I guess we all react differently to critics. For me, on the whole anyone whose opinion annoys me becomes a "critic" in the worst, bloodsucking way, and I gnash and think "why are they allowed to write that crap" etc. But then anyone who strikes a chord with my thoughts ends up being something like a "writer" or "journalist" or "satirist" in my eyes, and I think "Ahh, how good to have an intelligent appraisal of something. Half the time I think they're like dark clouds - feels like no use complaining when you can't do anything about their presence. I've not encountered any Sav Pencil criticism - read a few things he wrote for the music broadsheets back in the early 90's under the name "Edwin Pouncey" - so he may be really annoying in that role. I still reckon he does a mean illustration though.
Posted by captain davros at 2/25/2003 05:00:00 pm
I hear you. But I want to be Kake Puhuu or noone at all. By 'peripheral artist', I guess I just meant parasite. I have to question the need for 'critics', in writing, illustration, whatever. Surely a potent substitute for criticism is actually CREATING SOMETHING that will warm the hearts of your fellow humans and convince them, even momentarily, that their souls are not alone on this planet.
Posted by Mess Noone at 2/25/2003 03:57:00 pm
Psychological assault led by 'RadioTikrit'When Iraqi air defence units picked up their phones, instead of a dialling tone, they heard a male voice speaking in Arabic. It told them not to use chemical or biological weapons, not to offer resistance, and not to obey commands to attack civilian areas, the source said.[...] The Guardian
To: -----Original Message----- From: Ron Bennett [mailto:discuss@WYOMISSING.COM] Sent: Monday, February 24, 2003 9:08 PM To: DPFT-L@listserv.tamu.edu Subject: ALERT: DEA to Redirect Seized Websites!! State and federal authorities recently conducted raids of various companies/individuals that sell "drug paraphernalia", such as pipes and related materials. Pipes, etc were seized along with their websites. According to a Voice of America article, Mr. Ashcroft says they plan to redirect the seized websites to to the DEA website. A frightening quote from the a Voice of America article: http://www.voanews.com/article.cfm?objectID=FAAF0B60-2B80-4100-BD255885C43351A6 "Mr. Ashcroft says customers who want to visit some of their favorite drug paraphernalia websites are in for a big surprise in the days ahead. They will be automatically redirected to the website for the U.S. Drug Enforcement Administration." In essence the DEA is going to usurp the freedom of speech and expression of the people who run those seized websites. This would be akin to the U.S. Dept of Justice redirecting the "aclu.org" website to the "usdoj.gov" website. And then there are the serious privacy issues involved if the DEA redirects the seized websites, since they'll be logging all visitors, obtaining their IP address and other highly personal information. I encourage everyone here who values the freedom of speech and expression to contact their local ACLU chapter (list can be found at http://www.aclu.org/ and/or other organizations that works with such issues. Bottom line is this is a serious issue and if the DEA is able to do this, they could potentially redirect *ANY* website - remember that the owners of the websites seized have *NOT* been convicted of any crime. Ron Bennett -- JULES SIEGEL Apdo. 1764, 77501 Cancun Q. Roo Mexico http://www.cafecancun.com/bookarts/jsiegel.htm For free and ample discussion of issues in the news subscribe to Newsroom-L http://ohio.stageserver.net/mailman/listinfo/newsroom-l_cafecancun.com ------------------------------------------------------------------------- POLITECH -- Declan McCullagh's politics and technology mailing list You may redistribute this message freely if you include this notice. To subscribe to Politech: http://www.politechbot.com/info/subscribe.html This message is archived at http://www.politechbot.com/ Like Politech? Make a donation here: http://www.politechbot.com/donate/ ------------------------------------------------------------------------- Declan McCullagh's photographs are at http://www.mccullagh.org/ -------------------------------------------------------------------------
In other words, they want the rest of the world to think that we are the ultimate weaving driver. Not to be trusted, but certainly not to be messed with either. By these terrible means, they will create a world where war conducted by any country but the United States will seem simply too risky and the Great American Peace will begin. Unregulated Global Corporatism will be the only permissible ideology, every human will have access to McDonald¹s and the Home Shopping Network, all ³news² will come through some variant of AOLTimeWarnerCNN, the Internet will be run by Microsoft, and so it will remain for a long time. Peace. On Prozac. Written by an ex Cattle Rancher
Please dont stop posting AK, the links and clearly written context are most informative, and you do not know who is reading blogdial, and where the page is being emailed to. Every word in that BBC link is true. It is often the case that people who "appear to be failing to organize properly" are saying things that are completely true; when someone who you believe to be a liar is telling the truth, the words are nonetheless true , regardless of the source. Truth and true words are separate from man. Dont be fooled by the propaganda about the situation in that country, to its credit, the BBC gives a good account of the background to all these problems.
You know things are arse-over-tit when..... Laugh or cry? It's not war/peace that angers. It's the blatency of the attempts at deception. It's the hypocrisy. It's the narrow-minded, blinkered, self-interested borderline fascism. It's the political bullying, the chequebook politics (ask Colombia, Turkey et al). It is wearing on the soul. I will try not to post on the subject for a while. Preaching. Converted. As a parting shot I recommend Monbiot in the Guardian as someone whose opinions are extremely well-informed, highly developed and cogent.
Question time: What is the weaker...? (a) a UN which gives in to minority national self-interests and starts war on a pretext of (insert excuse here). (b) a UN which stands up to minority national self-interests and prevents war KLHKLJI�"$Y)*(�"&PIUBPK&*��������!!!!!!!!! (random swearwords) this is doing my head in and I can't stop thinking of it with every new story I read. email@example.com,firstname.lastname@example.org,email@example.com,firstname.lastname@example.org, I wrote to these and the Germans anyway, just to say thanks and stick with it. I will strike if and when necessary. Akin, I admire your clarity. Also, drug laws are fucked the world over since prohibition. I can legally buy seeds in the UK online. But if the little buggers germinate I'm a criminal! If the law is fucked, then fuck it! Apologies for my language (or it's limitations) today.
I just don't want to end up like Savage Pencil. Being able to make people laugh is one of the most crucial powers man has. Being able to look at the world obliquely is also very useful, and its something that is sorely lacking today. And as for not wanting to "end up like Savage Pencil", in every sense that matters, we have ALL "ended up like Savage Pencil". We ALL have to suffer the Badly Drawn Boy, Travises and every other piece of garbage that pollutes the airways day in and day out. Anyone who thinks that they have escaped, please own up and show us the door. Also, what on earth is a "peripheral artist"? Is the truth ever peripheral? I would argue that an illustrator humorist and critic like Savage Pencil is completely central, crucial and very much needed. Without people with his critical ear, the mushification of everything would be as easy as putting a soft boiled egg into a blender set at full speed. People are taught literary criticism. The need for it is well understood. Its about time that criticism of popular music is valued properly; criticisms ability to sweep away illusion and dig the earwax of stupidity out of the ears of the ignorant is extraordinarily valuable. Anyone who read the better parts of the British music press when it actually worked well knows how criticism opens doors and enlightens, even whilst trashing bad work. I can never understand what exactly it is everyone wants; do we want to live in a grey world of opinionless mush headed flesh where everyone just nods along to everything and anything, where every unstimulating stimulation is taken as "valid"? I for one dont want ANY part of such a place, and if I had a button that I could press to destroy them all, I would have long ago broken my index finger pressing it. My great colleagues A&H and I have been discussing this for over two years. "The Constituency" is a worthless mass of flesh, without imagination, a will or any focus, scrambling around in a dream world while "The Blob" closes in from every corner. Now that its too late, they are all running around like deer caught in the headlights of an oncoming 18 wheeler. "In the end, it all comes down to a book written by someone you dont like very much." was one of our mutually evolved conclusions. And this is going to happen again and again. It is not satisfying, it is insufficient and there is no reason why I or anyone else with a brain should put up with it.
Pirate Radio L.A. (Danish commentaries in between) Danish national radio came in possession of an entertainment broadcast made by 'Pirate Radio L.A.' hosted by Scott Shannon - one of Americas most well known radio DJs. The program 'Bomb Iraq' was broadcast to American troops from a Kuwait radio station during the 1991 Gulf War.
The Americans HATE the UN. Has not everyone heard the paranoia (right or wrong) about black UN helicopters, UN troops to be deployed in continental USA etc etc? These fears have been voiced by the religious right for decades, and now that they have the closest thing to one of thier own in the whitehouse, the UN can finally be destroyed. Soverinty is a great power, which must be used responsibly. Each country should have the absolute right to conduct its affairs in the way that it wants, but when this means interfereing in other countries affairs, repression of individuals and other crimes, then it if for the other countries in the world to boycott them, just like South Africa was boycotted into submission. IF (and thats a big if) this war happens, the UN should be moved to Paris. The UK will quickly be reformed if war happens, and will rejoin the brotherhood of nations. Rouge states, that unsettle the UN by constanly vetoing equitable resolutions and using it like a chessboard to bolster the aims of minorities against greater justice, need to be removed from the equation so that at last, the UN becomes a place where people seek and get justice instead of being a running joke. Writing letters is a good idea, but a better idea is for everyone to stick together and strike en masse if the war goes ahead. This is the only message that you need to send, and it wil speak louder than any written word you could possibly write. What an insane world; Russia, Germany France China, Angola all against the USA, with only Bulgaria taking sides with Uncle Sam Missile (a triplet dontcha know)...
Savage Pencil... Um, he's a collector. He's also an artist. A very peripheral artist. One whose only contribution, one might say, is criticism. He's a wolf in sheep's clothing. A critic. A collecting critic. Enough, already. I just don't want to end up like Savage Pencil.
Posted by Mess Noone at 2/25/2003 09:59:00 am
Democracy. Let's assume it exists and is the, theoretical, way by which one is elected President of the USA or Prime Minister of the UK. It is, we are told, what one represents in these positions; a free society, choice, majority rule and so on. Oh fuck it. I was going to write on how the US and UK are fucking up the UN, which has the potential to be a Good Thing for humanity, with their bullying and shouting. At the same time the French are pissed on as cowards and collaborators. The US and UK are in a MINORITY. Get used to it. I will try and find an e-mail address for the French, CHinese and Russian ambassadors today, to beg them to stand up to the US and UK, because if the bastards bully their way through on this one, the precedent is set and we are screwed for all time. The rule of law will be one rule, and that is who has the biggest guns and the most money. P.S. I read a quote from Desmond Llewelyn (Bonds Q) who was a prisoner in the war, liberated in 1945 by American troops. They asked how long he had been a captive. He said 5 years. Impossible, they replied. The war's only been going 3 years. Vive la France!
Now. These people are smooking from a hookah, in Egypt. A hookah is used by musilms to smoke. Does this now mean that the hookas will be made illegal, and the importers and designers of modern versions will be rounded up and put in jail for three years? Can you say, "Multi Vector Mcarthyism"®™?
Removed from the internet: smokelab.com ghettoweb.com Omnilounge.com http://www.colorchangingglass.com/ is online, but with a protest. www.testingfree.com sold drug test remedies...offline! popesforyou.com offline. Puffpipes.com turns up forbidden. Well, what can i say? This is boom time for anyone in Europe (the free world) that wants to sell hand blown glass to our unfortunate American brothers and sisters. What I want to know is, how much CRACK did they have to smoke to comeup with this plan, and what did they use to smoke it? The bad dream continues®
"With the advent of the Internet, the illegal drug paraphernalia industry has exploded," Ashcroft said. "The drug paraphernalia business is now accessible in anyone's home with a computer and Internet access. And in homes across America we know that children and young adults are the fastest growing Internet users. Quite simply, the illegal drug paraphernalia industry has invaded the homes of families across the country without their knowledge. This illegal billion-dollar industry will no longer be ignored by law enforcement. Today, the Organized Crime Drug Enforcement Task Force, under the leadership of Deputy Attorney General Larry Thompson and Associate Deputy Attorney General Karen Tandy, has taken decisive steps to dismantle the illegal drug paraphernalia industry by attacking their physical, financial and Internet infrastructures." The defendants have been charged with conspiracy to sell and offering to sell various types of drug paraphernalia, in violation of 21 U.S.C. Sections 846, 853 and 863. Federal law defines drug paraphernalia as those products that are primarily intended or designed to be used in ingesting, inhaling or otherwise using controlled substances, and include user-friendly and dealer-friendly devices. Items such as miniature scales, substances for "cutting" or diluting raw narcotics, bongs, marijuana pipes, roach clips, miniature spoons and cocaine freebase kits, among other things, are all considered drug paraphernalia. "People selling drug paraphernalia are in essence no different than drug dealers," said Acting Administrator Brown. "They are as much a part of drug trafficking as silencers are a part of criminal homicide. These criminals operate a multimillion dollar enterprise, selling their paraphernalia in headshops, distributing out of huge warehouses, and using the worldwide web as a worldwide paraphernalia market. With Operations Pipe Dreams and Headhunter, these criminals are out of business and 11 illicit dot.coms are dot.gone." The bad dream continues® http://www.dea.gov/pubs/pressrel/pr022403.html
Instructions For Adding the NO WAR Counter to your site: "Important Security Note: Kelvin Luck was kind enough to inform me that the way the proxies were set up potentially allowed people to access local files on the server. I've updated all versions of the proxy scripts so that this is now not possible. Also, I've added the postfix "_secure" to the zip filenames below, to differentiate them from the first versions. If you've already added the counter to your site, please replace the flash_proxy file with secure version below." Uh oh!
How evil are you?
Monday, February 24, 2003
I am infinity
You may worship me,
but from afar
this quiz by orsa
Posted by captain davros at 2/24/2003 05:15:00 pm
I went on a bus today into central London; it was more like a sunday morning than Monday afternoon; the cars.....were missing. It was dreamlike; the conductor said, "we are going to get into trouble, because we are going too fast". Shocking, far out, wild and about time!
there is plenty of awesome french music... stereo total programme dorainne_moraille sylvain chaveau tone rec dat politics and of course, all that french house that i'm not really sure about... daft punk, cassius, etc.. let's not forget that one half (or quarter or whatever) of sterolab is french as well...
Posted by alex_tea at 2/24/2003 02:51:00 pm
French music is past tense, baby. But they had their shot at leading the world (esp. Debussy era most recently. Although Piaf and Gainsbourg might count (performers rather than composers though. A valid distinction?).) They still have Boulez and Henry in this tradition. Not much stands out as 'modern' music though. Other european music could replace 'French' in this context. Language? (Brits are the only exception, unsurprisingly). Usually only non-vocal music crosses over from non-English to English speaking nations. (German electronic music especially relevant here). The only european vocal music I have is much folk music (esp. French and Spanish) where real soulful spirited singing means understanding comes through the sound of the words and not the meaning (also used, atmospherically by Cocteau Twins: contrast to soul-tearing flamenco singing). But I think the problem European cinema has with the US (or, more aptly, vice versa) is a language problem. This combined with intellectual laziness. If all US blockbuster megamovies were eliminated there would remain more good films than I have time to watch. There is no absence of European films, there is an absence of take-up by the US market (and/or public) of foreign-language films (finally broken to some extent by Almoldovar and Crouching Tiger, Hidden Dragon). There is a reciprocality here: note the almost ubiquitous dubbing of 'foreign' films in France, Italy, Spain, Germany. The Bollywood situation is strange and unique. These are blockbusters, replacing shooting with dancing. But yes, at least they are home-grown. I don't think Europe has a tradition of blockbuster films.
I am all for the French, now more than ever, but honestly, if all the can offer us (in terms of music) is Johnny Halliday, and rappers rapping in French then they offer us nothing. Nature abhors a vaccum. In the absence of European films, something will instantly take its place, especially if it looks good, moves fast...and has shootin! India doesnt have this problem, and sports the largest film industry on earth. If you want to destroy cultural imperialism via cinematic invasion, set the rate of tax on indiginous cinema goers and film making to 0 and put your money where your mouth is. The French have already had sucess in staving off cultural domination by mandating that 40% of all music played on the radio must be French. In my gut, I feel that this is putting a plaster on a gunshot wound. If no one wants French music, then there is something wrong with the music. There is no reason why people everywhere shouldnt love French music (if there even IS such a thing) as long as it is genuinely awesome; take Daft Punk for an example, awesome, and "French". I read an interesting piece in the wsj.com paper version about Johnny Halliday and his new (53rd) "album", but cant find it online...what i DID find is this which is amusing.. Oh yes, and how could I forget teh priceless album by Alizee whose single, most unfortunately is wrapped up with dozens of links to pr0n on Google...yuk!
Until one is committed, there is hesitancy, the chance to draw back, always ineffectiveness, concerning all acts of initiative (and creation). There is one elementary truth the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then Providence moves too, all sorts of things occur to help one that would never otherwise have occured. A whole stream of events issues from the decision, raising in one's favour all manner of unforeseen incidents and meetings and material assistance which no man could have dreamed would have come his way. Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it. Begin it now. Johann Wolfgang Von Goethe
Sunday, February 23, 2003
Crapsios are amazing for making bungle amounts of noise! Yeah! That rules, carth. I like how you eventually got a composition out of it. Awesome! In the shower this morning I was composing this big long song in my head for full orchestra with band. It was awesome, actually pretty coherent. I played it in my head long enough that I *probably* won't forget it (but most likely I will). Normally the songs I sing in my head dance around time signatures like Mike Oldfield's "Amarok" but this one kept on going... eventually ending up really beat-heavy, like four on the floor orchestrated. Of course, it'd sound like shit to anyone else - that's why we confine these things to the shower!
Posted by Barrie at 2/23/2003 07:56:00 pm
I have this old casio keyboard, where the demo song is Wham - Wake me up before you gogo. When it starts running out of power, it makes the most glorious noises if you hit the demo button and shake it a bit. Reminds me of carrionsound.com Have a listen to todays session: mikkel-02-23-2003-170024-b.mp3 I really need to record more of this, I'm so in love with it.
"Of them all, Rice is the scariest. Chevron Oil named a supertanker after her. Dripping with Ivy League degrees in international relations, an accomplished classical pianist, speaking elegant French, monumentally self-assured, Condy knows everything and nothing. It is utterly beyond her comprehension that the citizens of Baghdad might not welcome a cruise missile arriving in the upstairs bedroom as the instrument of their liberation". smh.com.au
I removed it because the test is broken, and crap anyway - just press submit without answering the questions and you are '5up4r l337' - not very l337. Reminds me of the time I answered an online intelligence test - for about an hour. I was up to page fourhundred-and-something when I gave up. A bit of research revealed that it was a satire, on a satire site. It looked very kosher however...
Saturday, February 22, 2003
Its loud, but not painful. that's what I surmised... Lesser's digital garblefuck is pretty damn hard on the ears (like knives, Or razors) Luigi Russolo's futurist compositions were made with very large brass-horn speakers. The compositions could be considered noise, but not quite the type of noise I'm talking about (though cool, nonetheless). "Record companies everywhere find that they not only need to fight piracy, but also develop alternate revenue streams." Wow. It took them long enough to think that y'know... changing as the world changes would be a good idea. Why, pray tell, do corporations always want to stick with the satus-quo? That's completely unnatural. IHT: "Are U.S. and France heading for divorce?" GW is totally the perfect drunken wife beater. Just look at him!
Posted by Barrie at 2/22/2003 04:18:00 am
Industry executives say this reality also is beginning to draw attention in Europe and the United States, where music companies face falling revenue from compact disk sales as Internet piracy increases. . "The financial effect is the same for record companies whether people get illegal compact disks for $1 on the street in China or download a song for free from the Internet in Europe," said Jay Berman, chairman and chief executive of the International Federation of the Phonographic Industry, a London-based group representing 1,500 firms. "Record companies everywhere find that they not only need to fight piracy, but also develop alternate revenue streams." . Piracy - which accounts for 95 percent of music sales in China, according to Berman's organization - has forced multinational record companies serving the world's most populous country to abandon classic-style album contracts, drop development of formal distribution channels and eliminate any possibility of a top-40 list based on sales. IHT
Man... that clears everything up, akin. Whoever made that is a GENIUS. Someone told me that LOVE is the new black!! Re: Modern Nasty Recordings: Has anyone ever heard NOISE music made with analog equipment? It seems possibly enough. It would sound... nice. WHOOOOM.
Posted by Barrie at 2/22/2003 04:02:00 am
Friday, February 21, 2003
Mess - what's the matter with Savage Pencil?
Posted by captain davros at 2/21/2003 08:00:00 pm
You and those like you are dedicated to killing and bringing misery to people wherever they are. God blessed you with the capacity to lead and also endowed you with enormous resources. You could have used your influence in Afghanistan to develop it, to bring it out of poverty and show the world what Islam can do for those who believe in it. This approach has been tried and tried again by the enlightened, educated and powerful, and througout the post colonial era, many countries have been sabotaged, alot of them democratically elected. Thier leaders have been assasinated simply because they were not capitalists, thier coutries blockaded, and trade with them made illegal. OBL believes, truely, that the only way to get the progress that his leadership ability and $$ could bring is to fatally injure the people who make it impossible for third worlders to develop in the ways that they feel are correct, without coercion or unreasonable demands that they follow the political structure of other countries. For a man such as him to take his frustration so far is a measure of how deep this problem is, and I'm afraid its words like this editorial, that ignore recent history, either deliberately or through ignorance, that are part of the problem.
Exhibition of drawings in ball point pen on paper, and five enlarged wall drawings all based on found snapshots. total borofsky influence (in the mid-70's he used a projector to help make wall drawings). Harrel is GREAT! Thanks for that link.
Posted by Barrie at 2/21/2003 06:37:00 pm
Give 'em HelenI read this in Harper's yesterday and found it archived on the Common Dreams website. It is from a January 6 exchange between White House Press Secretary Ari Fleischer and Helen Thomas, a columnist for Hearst Newspapers. Thomas, who is 82, has been covering the White House for 42 years.
I've just been turned on to the work of Harrell Fletcher whose art exhibitions and installations are concerned with real people and stories. I am particulalry fond of his exhibitions Boy and People In Real Life and his public artworks Some People From Around Here... and These Fine People. His work is shown in parking garages and empty stores in malls, on road sides and in schools. He also collaborates with Miranda July on the webproject Learning to Love You More which asks viewers to complete projects with instructions like Make a child's outfit in an adult size or Make a documentary video about a small child or Make a drawing of an image that you find sexually arousing or Recreate the moment after a crime or Recreate a poster you had as a teenager. One then documents the project to be archived on the website, included in a group show or brought to one of Miranda July's performances (which are some of the most imaginative and magical I have ever experienced).
This open letter to bin Laden is really on point: [...]You and those like you are dedicated to killing and bringing misery to people wherever they are. God blessed you with the capacity to lead and also endowed you with enormous resources. You could have used your influence in Afghanistan to develop it, to bring it out of poverty and show the world what Islam can do for those who believe in it. You chose to provoke and bring war to a people who had already been devastated by wars.[...]
Britons face extradition for 'thought crime' on netBy Philip Johnston, Home Affairs Editor (Filed: 18/02/2003) British citizens will be extradited for what critics have called a "thought crime" under a new European arrest warrant, the Government has conceded. Campaigners fear they could even face trial for broadcasting "xenophobic or racist" remarks - such as denying the Holocaust - on an internet chatroom in another country. The Government has undertaken that if such "offences" take place in Britain the perpetrators would not be extradited - but it will be for the courts to decide the location of the crime. This opens up the prospect of a judge agreeing to extradite someone whose observations, though made in Britain, were broadcast exclusively in a country where they constitute a crime. Legislation now before Parliament will make "xenophobia and racism" one of 32 crimes for which the European arrest warrant can be issued without the existing safeguard of dual criminality. This requires that an extraditable offence must also be a crime in the UK. Alongside the arrest warrant, EU ministers are negotiating a new directive to establish a common set of offences to criminalise xenophobia and racism. Countries such as Germany and Austria have crimes such as denying the Holocaust which have no equivalent in Britain. Under current laws, if a British citizen committed this offence in Germany and returned to the UK, he could not be extradited. However, this will change when the arrest warrant becomes law next year. Lord Filkin, the Home Office minister, told MPs: "If someone went to Germany and stood up in Cologne market place and shouted the odds, denying the Holocaust, and then came back [to Britain], they would be subject to extradition under the European arrest warrant." Holocaust denial laws are in place in seven EU countries but they would be a big departure for Britain, where a risk of fomenting public disorder is needed before a thought becomes a crime. A German historian who claimed that Auschwitz prisoners enjoyed cinemas, a swimming pool and brothels was sentenced to 10 months in jail.[...] The Telegraph
Is Hussein Owner of Crashed UFO?“An UFO-related incident that occurred four years ago poses a troubling question whether any kind of cooperation is possible between Iraqi dictator Saddam Hussein and extraterrestrials,” UFOlogist Joseph Trainor declared in his review UFO Roundup (issue 51 of December 17, 2002). “On December 16, 1998, during Operation Desert Fox against Iraq, a video clip aired on CNN showed a UFO hovering over Baghdad; it moved away to avoid a stream of tracer anti-aircraft fire. At that time we all thought it was another UFO sighting, although captured on videotape. But now, ufologists think it was much more than a mere incident.” Jack Sarfatti reported that Friday evening, December 6, 2002 “someone called the Art Bell radio show, claimed his connection with the military and informed that a UFO crashed in Iraq several years ago. The USA is currently searching for any pretext to invade Iraq. In fact, the USA is motivated by the greatest fear that Saddam will reverse-engineer the crashed alien spacecraft.” It is allegedly said that the craft crashed during the Gulf War (1990-1991), or more recently (probably in December 1998). This became some kind of Iraq’s Rosewell. The USA is currently reverse-engineering the Rosewell craft and fears that Saddam’s scientists may become even more successful than Americans in this or that sphere. It was said that these researches may give Iraq a considerable advance and even make it a leading super power. UFO Roungup’s Arab journalists failed either to confirm or to deny these rumors. Aiasha al-Hatabi replied to Joseph Trainor that “he heard nothing about a UFO crash in Iraq.” In the words of Mohammed Daud al-Hayyat, “there are talks about extraterrestrials in Iraq, but nothing is said about any crash. It is rumored at a market in Sulaimaniya, to the south of Zarzi, that aliens are Saddam’s guests. Where do they stay then? People mention some underground base. But Saddam has a palace in this valley, an old stronghold Qalaat-e-Julundi. Earlier it belonged to the royal family. After the revolution, the government took possession of the fortress, and now, like every palace in Iraq it is “a summer residence” of Saddam Hussein. The fortress is mentioned here for a very simple reason: it is practically impossible to penetrate into it. The citadel stands on a hill surrounded with vertical precipices on three sides; the precipices plunge down to the Little Zab river. It is said that Saddam lets aliens stay there.” http://english.pravda.ru/main/2003/01/31/42821.html
Bertelsmann sued over Napster A group of songwriters, composers and music publishers has launched a $17bn lawsuit against German media giant Bertelsmann, alleging that it helped Napster deprive them of royalties.[...] http://news.bbc.co.uk/1/hi/business/2786573.stm
Funny. Savage Pencil turned me off the life I know last night. Thanks for reminding me.
Posted by Mess Noone at 2/21/2003 10:37:00 am
That Saddam is a despicable gangster politician does not make his country a military power. It is all but defenseless against the United States, which has been bombing the place for years without losing a single aircraft or pilot. It even lacks the military capabilities of North Korea, a country which does have a set of sharp little teeth, and you can see the difference in George W. Bush’s approach to Kim Jung Il. Instead of the nailed boot, he gets the pussied foot.[...] New York Observer
I have an 5 or so page interview with Savage Pencil from an old copy of Forced Exposure. It's totally key, massively cool and was one of the strongest influences on me getting out of the dole-mess 10 years ago and into art school.
Posted by captain davros at 2/21/2003 10:07:00 am
why mtv doesn't suck? well i just watched the hi-lights from the 24 courtney love thing they did in the us. it sucked a little bit. they did mention minor threat and riot grrl stuff although she really doesn't have a clue. or if she does, she didn't really explain it well. she kept on trying to talk about girl bands and stuff, but she didn't mention (in the highlights at least) any of the good femmecore / riot grrl bands that were and still are. she also came across as if she was really hung up on race. completely patronising and just annoying. anyway, made me realise more than before that diy is the only way. difficult is easy. but it was interesting i guess.
Posted by alex_tea at 2/21/2003 02:35:00 am
DA DVD 5111!! WTF LOL SUROUND MIX ON DA NON RECORD IS TRULY UNBLEIVABLA!!1! OMG I M3AN TEH ALBUM ALON3 IS GREAT BUT TEH SECOND DISC RILLY MAEKS IT A UNIQUA LISTENNG 3XPEREINC3!!!!1 RILLY PHYSICAL!!11 OMG ONLY R3COMANDAD FOR THOSE WIT A NIEC HOME THEATRE OR EQUIVAELNT S3TUP THOUGH - OTHERWIES I SUPOSE ITS KIND OF POINTLAS!!1111 DA ON3 DRAWBAK I NOTIECD (AND THIS CUD B AN 3LEM3NT OF MAH DVD PLAEYR ITS3LF) IS DA FACT TAHT WHIEL DA REGULAR CD IS INDAXED BUT CONTANES NO PAUSES BTWEN TRAKS TEH DVD MIX HAS PAUSES AND THIS GREATLY R3DUCED MAH ENJOYMENT IN LISTENNG 2 TEH ALBUM AS ON3 CONTINUOUS PEICE (HOW IT RILLY SHUD B LISTEN3D 2)!11!1!!1 OMG LOL HOPE THIS GLITCH IN TEH TACHNOLOGY CAN AVENTUALY B REM3DEID!!!11!!! OMG WTF BUT DEFINIETLY GIEV IT A LISTEN NONETHEL3S!!!! OMG LOL RECOMANDAD!1!11 OMG LOL http://ssshotaru.homestead.com/files/aolertranslator.html
Thursday, February 20, 2003
for josh carr - the dvd 5.1 surround mix on the NON record is truly unbelievable. i mean, the album alone is great, but the second disc really makes it a unique listening experience. really physical. only recommended for those with a nice home theatre or equivalent setup, though -- otherwise i suppose it's kind of pointless. the one drawback i noticed (and this could be an element of my dvd player itself) is the fact that while the regular cd is indexed but contains no pauses between tracks, the dvd mix has pauses, and this greatly reduced my enjoyment in listening to the album as one, continuous piece (how it really should be listened to). hope this glitch in the technology can eventually be remedied. but, definitely give it a listen nonetheless. recommended. cheers, ken
Posted by KM at 2/20/2003 10:12:00 pm
Holy shit. A huge flock of at least 200 sparrows just flew by my window. That was cool.
Posted by Barrie at 2/20/2003 08:03:00 pm
Yikes! Good thing it's not a HUGE sploit - though it could give people ideas for one. Hopefully people get on top of it. about dvd audio: Josh, quadrophonic sound should not be a problem with DVDs. You can encode however many channels you want onto a dvd (from mono to like, 10.1 or whatever). So, foreseeably you could make a "4.0" style set up - two speakers in front, two in back, or if you want a "4.1" set up, the same but with a seperate channel for a subwoofer. Jon Borofsky is the man.
Posted by Barrie at 2/20/2003 07:27:00 pm
I actually remember a review in TimeOut this summer of NON's Children of the Black Sun CD which comes packaged with a DVD 5.1 surround mix of the album. from a review: And I'd be remiss if I didn't mention the bonus disk that comes with the album. It's a 5.1 audio DVD mix of Children of the Black Sun, the first DVD release ever for Boyd Rice and NON. Let me just say that this DVD will crush you to a fine powder. It's like the sounds on the CD taking tangible form -- imagine music as a tactile rather than a sonic experience. Beware. Boyd Rice has proved himself here a master craftsman and manipulator of the very stuff of life itself. has anyone heard this?
josh... check out the sound on sound forums, someone there should be able to help you... i'm working on the front end of a dvd right now, although it's just layouts, not programming or anything, and it's rather simple... ;)
Posted by alex_tea at 2/20/2003 05:35:00 pm
I wonder if anyone has any experience with these audio DVDs that have 5.1 surround sound. I have been making quadraphonic sound/music for a couple of years now, really tweaking things for a four channel environment with sound movement and headfuckery, what. But my only option for output has been two stereo CDs or two stereo cassettes. Put two stereos in one room with the four speakers in the four corners and press Play on both at the same time... Now these audio DVDs offer up quadraphonic sound and I would like to exploit it. Does anyone know of any DVD burning programs that are geared towards audio? Would you mix down to two stereo .wav files or keep the four channels seperate until the burn? Have any releases begun to really use quadraphonic sound through audio DVDs?
It is snowing so much, I can't go to school! Curse living outside the city!! qualifications for qualifications sake have never been my first love as an artist I have no choice but to get as much qualification I can. It's rather silly but having a piece of paper that says "Master of Fine Arts" is excruciatingly important to being an instructor - something vitally important to continue practice as an artist. Sad. Good thing I completely love what I'm doing. RSS = win!
Posted by Barrie at 2/20/2003 05:20:00 pm
sorry. i sounded like a 13 year old there on the nme message board. i think i needed to get it out.
Posted by alex_tea at 2/20/2003 05:06:00 pm
there's too much of this 'emo trance' (as it has come to be known in my house) around. it's so formulaic. get some blonde haired dull voiced girl to sing this overly emotional wretched song with far too much "oooh hoohh ohhh" and add the synthetic equivalent of her looks, this boring middle of the road emotionally unsubtle dirge with all too obvious key changes and 'euphoric' cresendos. argh. and that fucking counting crows shit. and i quite liked vanessa carlton in some weird misguided pop way. now i want to see her burn in hell. not quite as bad as my flatmate's adoration for fucking avril lavigne. how anyone can take that shit seriously is beyond. my 14 year old sister loves it, i'd much rather she was in to kelly osbourne... well she is, but she just won't accept that avril is a fake pop tart. i should make her cds full of crass and fugazi mp3s. i might do that actually. at her age i would have loved to have heard crass... there's too much crap in the charts and on tv. even channels that try to be 'alternative' just come off as shite, mtv2 and kerrang, it's just the same old every day. everybody wnats to be the new big thing, to be the first. it's so boring. and it's not just mainstream culture... all this electroclash shit is really pissing me off with all these crappy wanna be club nights opening everywhere and just playing the same records over and over again and stealing from past cultures without any thought as to why, but just because they think it's the new style. i'm so bored. modern life is rubbish...
Posted by alex_tea at 2/20/2003 05:05:00 pm
ha-ha-ha-haaaa! I know what you mean Dr Kirby, and yet, I bloody love that DJ Sammy song. I loved "Heaven" too. I love the originals more, since I am a sad old 80's plank (we used to sing "Girls of Winter" to Boys of Summer, and that later became "Hermaphrodites of Autumn") but somehow I think it's the sad girl vocals that get the plaintiveness of the originals across. I was thinking how weird the "Out on the road today I saw a deadhead sticker on a cadillac" line sounds in the DJ Sammy version - totally botoxed. And maybe that's what I like about it, along with the extensive synth mauling. Extensive synth mauling (i.e. the feeling you get from all that pumping electronica, like it's just rubbing all over you like steel wool) is cool. Tatu have that, and they are cool. Even Busted are cool, and they mix it with geetars. But by all means keep your rage about DJ Sammy - I'm not out to convert anyone here. I mean it's not that long ago that I graced these very pixels with witterings about the Strokes. How strange this popular music thing is. If I needed reminding any more of this it could only have been yesterday when I saw Counting Crows doing their "down and funky" version of Big Yellow Taxi. I mean I could type "why?" over and over and over until I wore out everyone's screens and cried all the water out of my body in despair, and still I wouldn't understand it. Yet it may just sound fine to someone else. Vive la porte! p.s. It is a bit crap that it seems to be his song and not the original writer's, but that is true of so many classics. I first heard "Money" when the Flying Lizards did it. Took me a while to get round to the version by The Beatles.
Posted by captain davros at 2/20/2003 04:53:00 pm